Label: REGIS 1331
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ARTISTS: John Lill, piano

Label: REGIS 1339
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ARTISTS: Jean Yves Thibaudet, piano

Label: REGIS RECORDS 1013
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ZINOVIEV: We hymn Thee, we bless Thee; NIKOLAEV-STROUMSKY: In Thy kingdom; HRISTOV: Bless the Lord, O my soul; God, deliver the devout; Song of the Cherubim; Our Father; Praise ye the Lord; GRETCHANINOV: Litany of fervent supplication; Credo; O gladsome radiance; Great Doxology; Rejoice, Virgin, Mother of God; CHESNOKOV: The mystical sacrifice; God with us; Deliver, O God, Thy people

Nikola Ghiuselve, bass
Bulgarian Mixed Choir/Vivian Kloichkov; Sofia Orthodox Choir/Miroslav Popsavov
Sofia Madrigal Choir/Stoyan Kralev

Label: REGIS RECORDS 1051
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ROBERT SCHUMANN (1810 – 1856)
Liederkreis, Op. 39
Aus den Östlichen Rosen; Die Soldatenbraut; Der Nussbaum; Widmung
Frauenliebe und Leben, Op. 42
Mignon (Kennst Du Das Land?); Meine Rose; Requiem

Felicity Lott, soprano>li?Graham Johnson, piano
“fine Schumann collection… generous coupling including as they do the most popular… (Frauenliebe) intense intimate expression, developing sequence compellingly… beautiful tone & phrasing” – Penguin Guide
“full umblemished tone, faultless legato & thoughtful phrasing-many pleasures to offer” – Gramophone

Label: REGIS RECORDS 1225
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ROBERT SCHUMANN (1810 – 1856): Frauenliebe und Leben, Op. 42; Complete Song Cycle (Women’s Love and Life)
FRANZ SCHUBERT (1797 – 1828): Heimliches Lieben, Op. 106 No. 1 D 922; Minnelied, D 429; die Abgeblühte Linde, Op. 7 No. 1 D 514; Der Musensohn, Op. 92 No. 1 D 514
JOHANNES BRAHMS (1833 – 1897): Die Mainacht, Op. 43 No. 2; Das Mädchen spricht, Op. 107 No. 3; Nachtigall, Op. 97 No. 1; Von ewiger Liebe, Op. 43 No. 1

Janet Baker, mezzo

Martin Isepp, piano
“Janet Baker’s range of expression in her… Schumann cycle runs the whole gamut from a joyful golden tone-color in the exhilaration… through an ecstatic half-tone… wonderfully conveyed… agony of bereavement in the final song… Isepp a highly sensitive and supportive partner” – Penguin Guide Rosette
“Her interpretative powers had no doubt increased by the time she recorded (this) Lieder recital, and of course they were to continue growing… glorious disc, one to cherish and play, as I have already, over and over again…” – Gramophone

Label: REGIS RECORDS 1237
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Symphony No. 3 in E flat major, Op. 97 “Rhenish”; Overture, Scherzo & Finale, Op. 52; Symphonic Studies, Op. 13

Royal Philharmonic Orchestra/Dirk Joeres
"Dirk Joeres and the RPO have begun a Schumann cycle, the first CD of which (2nd Symphony) received international critical acclaim: A fascinating account: Joeres is an exciting Schumann conductor and he goes for extremes" - (Gramophone)
"Here is a disc with a difference ...... Dirk Joeres easily joins the front rank" - (Fanfare, USA)

Label: REGIS RECORDS 1297
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GIUSEPPE VERDI (1813 – 1901): La Forza del Destino: “Son giunta!... Madre pietosa Vergine”; “Le vergine degli angeli”; “Pace, pace mio Dio”; GIACOMO PUCCINI (1858 – 1924): Manon Lescaut: “Sola, perduta, abbandonata”
Orchestra of the Accademia di Santa Cecilia, Rome/Francesco Molinari-Pradelli; Rec.: 1954-55
GIUSEPPE VERDI: Il Trovatore: “Timor di me… D’Amor sull’ali rosee”
Orchestra of the Grand Theatre, Geneva/Alberto Erede; Rec. 1956
UMBERTO GIORDANO (1867 – 1948): Andrea Chenier: “La mamma morta” (with Ugo Savarese)
Orchestra of RAI, Turin/Arturo Basile; Rec.: 1953
FRANCESCO CILEA (1866 – 1950): Adriana Lecouvrer: “Ecco: respire appena… Io son l’umile ancell”; “Poveri fiori”; ALFREDO CATALANI (1854 – 1893): La Wally: “Nè mai dunque avro pace”; PIETRO MASCAGNI (1863 – 1945): Lodoletta: “Ah! Il suo nome… Flammen, perdonami”; GIUSEPPE VERDI: Aida: “O patria mia”; Otello: “Era più calma… Canzone del Salce… Ave Maria”; GIACOMO PUCCINI: Turandot: “Signore, ascolta”; Tu che di gel sei cinta” (with Mario Del Monaco)
Chorus and Orchestra of the Accademia di Santa Cecilia, Rome/Alberto Erede; Rec.: 1954-55
GIUSEPPE VERDI: La Traviata: “Addio del passato”
Orchestra of La Scala, Milan/Antonino Votto; Record: 1952

Label: REGIS RECORDS 9109
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Piano Concerto No. 1 “Faust Triptych”
Piano Concerto No. 2 “The Continents”

Murray McLachlan, piano
Chetham’s Symphony Orchestra/Julian Clayton
"... his playing is of a passionate commitment and unflinching virtuosity" - (Classic CD)
"In Murray McLachlan, Stevenson's music has found a committed advocate and he projects the highly virtuosic yet never over-dominant solo parts with something of the panache of the composer's own keyboard style" - (Hi-Fi News and Record Review)