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REGIS RECORDS
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Label: REGIS 1366
Our Price: $9.75
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Artists:
The Deller Consort, Alfred Deller.

A collection of Purcell’s songs and sacred arias given by the Deller Consort. Twelve of the eighteen tracks feature the inimitable voice of Alfred Deller.

”The most remarkable countertenor of the 20th Century” – Sir Michael Tippett.




Label: REGIS RECORDS 1072
Our Price: $9.75
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Liturgy of St. John Chrysostom, Op. 41
  • National Choir of Ukraine “Dumka”/Yevhen Savchuk
    New Recording!




  • Label: REGIS RECORDS 1148
    Our Price: $9.75
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  • Scottish Chamber Orchestra/Peter Maxwell Davies
    “beautifully played… the composer evokes romantic images, as in the lovely close of the first movement (Sinfonia Concertante)
    “virtuoso playing from the Scottish principals - well balanced recording” (Penguin Guide, 3 Stars)




  • Label: REGIS RECORDS 1212
    Our Price: $9.75
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    Symphony No. 4 in F minor, Op. 36; Marche slave, Op. 31; 1812 Overture, Op. 49
  • London Symphony Orchestra/Gennadi Rozhdestvensky
    "A first-class ...recording of Tchaikovsky's Fourth Symphony...a very striking performance, Russian in feeling yet ... never going over the top ...holds back his big guns till just before the big unison horn entry.... It really is an epic moment with the fff of the four horns coming through as it seldom does ... slow movement is phrased very evenly....scherzo is like an arabesque, the string pizzicatos light and gentle.... Then the finale bursts on the listener… with its power to shock at that first fortissimo…the sound hugely expansive." - Gramophone




  • Label: REGIS RECORDS 1238
    Our Price: $9.75
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    PIOTR TCHAIKOVSKY (1840 – 1893) – STRING QUARTET MUSIC, VOLUME 1
    Five Early Pieces: No. 1 in D major; No. 2 in B flat major; No. 3 in E major; No. 4 in E minor; No. 5 in G major
    String Quartet No. 1 in D major, Op. 11
    String Quartet No. 2 in F major, Op. 22
  • Shostakovich Quartet: Andrei Sishlov, violin 1; Sergei Pischugin, violin 2; Alexander Galkovsky, viola; Alexander Korchagin, cello; Alexander Semyannikov, violin 2 (Op. 22)




  • Label: REGIS RECORDS 1239
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    Adagio Molto for String Quartet & Harp; String Quartet No. 3 in E flat minor, Op. 30; String Quartet in B flat major; Adagio Cantabile e con moto from sextet “Souvenir de Florence”
  • Shostakovich Quartet
    "Third Quartet is a difficult work to play, and to record.... it is a very intense piece, intricately constructed and extending string quartet textures further than Tchaikovsky ever had before. The Shostakovich Quartet understand the music well, not only setting intelligent tempos and phrasing with warmth and flexibility, but grasping the very elaborate harmonic structures ....unusual fill-up is a student work for quartet and harp, very much an exercise in part-writing and sonority, but suggesting that he was learning lessons that were put to superb effect in the quartets." - Gramophone




  • Label: REGIS RECORDS 1266
    Our Price: $9.75
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    Symphony No. 2 in C minor, Op. 17 “Little Russian”
    Serenade for Strings in C major, Op. 48
  • USSR Symphony Orchestra/Evgeni Svetlanov
    “The USSR strings were the orchestra's undisputed glory, not always minding the finer points of Tchaikovsky's markings but ever ready to sing out with firm, focused tone and expressive abandon ...plenty to admire, not least their ability to inflect a Tchaikovsky melody without artifice.....many of the (movements) in the early symphonies ....will leave no limb unstirred, energized by vivid folk colorings (pizzicato strings as balalaikas) and driving, stamping, dance rhythms.... The spirit even enlivens that second subject from the Second Symphony's finale. .... The Serenade—is strong and passionate, not especially elegant, but predictably superb in the finale's Russian song and dance. Svetlanov uses the Russian collected edition (most others use Breitkopf), which does not include some of the rits. and dims. you may be expecting in the "Waltz", but which attaches (after a pause) an extra burst of C major to the end of the first movement.
    ....According to Stravinsky, Tchaikovsky "never feared to let himself go". Neither does Svetlanov.” (c) Gramophone