Label: NORWAY MUSIC 004
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ONE DAY IN OCTOBER: KENNETH SIVERSTEN

Label: NORWAY MUSIC 0102
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AROUND THE WORLD; BAND/HIS MAJESTY THE KING'S GUARD

Label: NORWAY MUSIC 013
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ENGLISH & NORWEGIAN SACRED MUSIC; CON BRIO

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PiaNO WORKS; K. KARLSSON, PIANO"

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DEATHS & ENTRANCES; NUDES; OSLO SINFONIETTA/EGGEN

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SEQUENZA; N/ VINDENES, GUITAR

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JOHN CAGE - WILL YOU GIVE ME TO TELL YOU: Credo in US; A Flower; The Wonderful Widow of Eighteen Springs; Forever and Sunsmell; Amores; Trio (allegro - march - waltz); Aria; Imaginary Landscape No. IV; sub Aria. Cikada Duo (Kenneth Karlsson, piano; Bjorn Rabben, percussion); Sisu (Tomas Nilsson, Marius Sobye, Bjorn Skansen, percussion)

Label: NORWAY MUSIC 022
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Intercomunicazione; Capriccio; Sonata for Violin Solo; Four Short Studies for Violoncello Solo; Presence, battle blanc en cinq scenes pour violon, violoncelle et piano

Peter Sheppardd Skaerved, violin; Friedrich Gauwerky, cello; Ian Pace, piano

Label: NORWAY MUSIC 098
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FAMOUS GYPSY TUNES: STURM UND DRANG ENSEMBLE

Label: NORWAY MUSIC 1
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NORWEGIAN FOLK: BJORGUM

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NORTHERN LIGHTS; H.M. KONGENS GARDES MUSIKKORPS

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HOT SHOTS: B. REINHARDT; J. ROSENBERG; ROMANE

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A PERFECT MATCH, THE REAL THING BIG BAND

Label: NORWAY MUSIC 109
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EAT MEAT: PAUL WAGNBERG

Label: NORWAY MUSIC 11690
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UPPERDOG – ORIGINAL MOTION PICTURE SOUNDTRACK
A film by Sara Johnsen
Music by Marcus Paus
Music Conducted by Trond Husebø
Rolf-Erik Nystrøm, solo alto saxophone; Joachimn Knoph, piano; Ditte Marie Braein, solo voice; Øyvind fossheim, Jonas Båtstrand, Yi Yand, violins I; Camilla Kjøll, Minna Alén, violins II; Bendik Foss, Øystein Torp, violas; Johannes Martens, Kristine Martens, cellos; Marius Flatby, bass; Sigrun Gomnaes, percussion
“Upperdog” needed music that not only amplified what was already present on screen, but that could also function as a kind of narrator. Music that would have motion, complexity and its own point of view.
By coincidence, we discovered that superimposing the music of Mozart achieved such an effect. This music had precisely the force, enery and emotionality we were looking for, a kind of divine humor in its shifts from the dramatic, wistful and beautiful, to the bright, whimsical and cheerful – Sara Johnsen