Label: NAGEL HEYER 043
Our Price: $19.25
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The Tremble Kids Allstars Play Chicago Jazz!
Tracks: Them there eyes; Someday you'll be sorry; Way down yonder in New Orleans; Blues in the air; I'm crazy about my baby; After you've gone; Pretty little Missie; I cried for you; Mama's gone, goodbye; A kiss to build a dream on; Everybody loves my baby; I may be wrong; Tutti for Eddie
Artists: Werner Keller /Peter Lange / Walter Leibundgut / Henri Chaix / Peter Schmidli / Vinzenz Kummer / Charly Antolini

Label: NAGEL HEYER 078
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Tracks: Finally; I'll Be Seeing You; If I Were A Bell; My Romance; O Sole Mio; What Is This Thing Called Love; When You Wish Upon A Star; I'm Old Fashioned; Zelim; All Of You; Everything Happens To Me; Pennies From Heaven - Artists: Thilo Wagner, piano; Wolfgang Mörike, bass; Gregor Beck, drums , Recorded in Stuttgart on March 6 and 7, 2001 - Three talented musicians have joined together here, who have discovered a common passion during their collaboration with their very different bands, namely their passion for swinging mainstream music with a line-up of piano, bass and drums, totally in the tradition of Oscar Peterson and Wynton Kelly. In addition to blind understanding of each other, the trio is distinguished by imaginative playing, dynamics, drive and breath-taking virtuosity.

Label: NAGEL HEYER 098
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Tracks: Undecided; When I Grow Too Old To Dream; Blue And Sentimental; I’ll See You In My Dreams; Moten Swing; Lady Be Good; Medley: Echoes Of Spring & All God’s Chillun Got Rhythm; One O’Clock Jump; If I Had You; I Would Do Most Anything For You; Lester Leaps In

Artists: Randy Reinhart, trumpet, trombone; Jesper Thilo, tenor sax, clarinet, vocals; Rossano Sportiello, piano; Rudolf “Pluto” Kemper, guitar; Nico Gastreich, bass; Moritz Gastreich, drums
Recorded live on October 10, 2004 at Birdland Jazzclub, Hamburg, Germany.
”THIS CENTENARY TRIBUTE to Count Basie is happily much more than a well-intentioned repertory project. Having jazz musicians recreate famous recordings can be exhilarating but is more often an odd expenditure of creative energies. Even better, this tribute is not restricted to long versions of One O’Clock Jump and Jumpin’ At The Woodside. What this band has done, lightly and politely, as Louis Armstrong said, is to tip their hats to a musical way of thinking and feeling epitomized by the Basie band and its smaller spin offs in the great prewar period. This sextet plays in the great tradition but levitates it with their own inventiveness, which is what Basie, Lester Young, Buck Clayton, Jo Jones and the others did as a matter of course, as the broadcasts prove. The one direct emulation of a recording – Jesper Thilo’s version of Lester’s magnificent solo on the Jones-Smith, Inc. Lady Be Good – is beyond criticism, because that solo is a composition equal to any Schubert song, and no one complains when anyone sings those notes as written.

Label: NAGEL HEYER 2006
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OFF BROADWAY - Terell Stafford. Artists: Frank Vignola / Randy Sandke / Frank Wess / Roland Hanna / John Goldsby / Joe Ascione / Rodney Whitaker / Joe Ascione. Tracks: Funny how; Stars fell on Alabama I; Off Broadway; Limone's blues; The return; Stardust; Sing that; Cookin' at the continental; Never, never; Annie; In the hills; Frankly Speaking; Stars fell on Alabama II; It's all right with me; What's up. "Vignola tosses of filigreed runs and juicy chord progressions with aw-shucks nonchalance." Jim Hall. "A technical master of the guitar." Jazziz. "Frank seems to be born of Django Reinhardt and, without a doubt, Wes Montgomery was his baby-sitter!!"

Label: NAGEL HEYER 2040
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DIG IT! – Tracks: 41b; Sir Nuke; Another Song; Dig It!; I’m Gone; Hocum; Giant Steps; Victor - Artists: Frode Berg, acoustic bass, 6-string electric bass; Petter Wettre, tenor saxophone; Roy Powell, piano; Andreas Bye, drums - "Very seldom a jazz tune makes me cry. Last time it happened was when Chick Corea played his tango at the Molde Festival 2000. Now it happened again – when listening to Frode Berg’s “Another Song”. The Bossa Nova’s simplicity and beauty took me completely, maybe because it came so unexpectedly in its context of a hard-core virtuoso blowing-session." - Erling Wicklund, jazz radio producer