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MARC AUREL EDITION
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Label: MARC AUREL ED. 20040
Our Price: $17.50
Quantity in Basket: none
GEORG PHILIPP TELEMANN (1681 – 1767) – DUETTE
Sonata in C minor (orig. in B minor) TWV 40:105;
Duo III in E flat major (orig. in B flat major) TWV 40:134;
Duett I in B flat major (orig. in G major) TWV 40:124; Sonata in B flat major TWV 41:B3;
Duo II in F minor (orig. in C minor) TWV 10:131; Kanonische Sonate I in G major TWV 40:118;
Sonata IV in G minor (orig. in E minor) TWV 40:104; Kanonische Sonate III in G major TWV 40:120
  • Dorothee Oberlinger, recorder
  • Lorenzo Cavasanti, recorder
    Dorothee Oberlinger is one of the most amazing discoveries of recent years, an expressive virtuoso who - quite rightly - received numerous awards while still quite young. Today she is seen as one of the best recorder-players in the world. Her concerts have been received with enthusiasm by critics and audiences alike, earning her unanimous acclaim. Her CDs are regularly fêted as the best new issues on the market.
    Dorothee Oberlinger has given solo recitals at festivals all over Europe, in America and Japan, for example at the Ludwigsburger Schlossfestspiele, the Musikfestspiele Potsdam, the Settimane Musicale Stresa, the Nederlandse Oude-Musik-Network, the Festival de Musica Antigua Sajazarra, the Warsaw Beethoven Festival, the Europäische Musikfestwoche Passau, the Rheingau-Musikfestival, the Tage der Alten Musik Regensburg and the MDR-Musiksommer. Other venues in which she has played include the Wigmore Hall in London, the National Philharmonie in Warsaw, the Marianischer Saal in Lucerne, the Rosée Theater in Fuji and the Philharmonie in Cologne. She has been the guest soloist with leading international Baroque ensembles such as London Baroque and Musica Antiqua Köln directed by Reinhard Goebel, and she also plays regularly with modern symphony orchestras such as the WDR-Rundfunk-Sinfonieorchester and the Detmolder Kammerorchester.




  • Label: MARC AUREL ED. 20041
    Our Price: $17.50
    Quantity in Basket: none
    GUILLAUME DE MACHAUT (1300 – 1377) – FLOUR DE FLOURS – LAIS & VIRELAIS
    Lai: “En dementant et lamentant”; Virelai: “Douce dame jolie”; Lai: “J’aim la flour de valour”; Virelai: “Liement me deport”; Virelai: “Dame, a qui m’otri de cuer”; Virelai: “Foy porter, honneur garder”; Balade: “Quant je suis mis au retour”; “Remede de Fortune” Complainte: “Tels rit au main au soir pleure”; “Remede de Fortune” Chanson Roial: “Joie, plaisence et douce norriture”
    ANONYMUS: “Te sanctum dominum”; Leges sacras; Ave cuius vera contrition; Olim in Harmonia (Notula “De juer et de baler”)Alleluia. Ave Domina (“Alleluia. Justum deduxit); Modestos blanditiae; O felix custodia (Chanson: “L’autrier matin”); 2eme Estampie Royal; Versus: “Ardua spes mundi”; Istampita: “Ghaetta”
    ADAM DE LA BASSEE (? – 1286): “Ludus super Anticlaudianum”
    ADAM DE LA HALLE (1240 – 1287): Chanson: “On me defent ke mon cuer ne croie”
  • Norbert Rodenkirchen, medieval transverse flutes
    Norbert Rodenkirchen is an internationally recognized performer on medieval flutes. Performances with the medieval ensemble Sequentia have taken him to Japan, Australia, Canada, the USA and many European countries where he played in festivals such as the BBC proms at the Royal Albert Hall London, Music Sacrée at Notre Dame de Paris, Lincoln Center New York City, Early Music Boston and many more.
    Since 1998, Norbert Rodenkirchen has been also performing on a regular basis with the ensemble Diphona, which he formed with the singer Maria Jonas. The ensemble Diphona has also been invited to important festivals such as Holland Festival Oude Muziek Utrecht, Romanischer Sommer Köln, Montalbane in Freyburg an der Unstrut and Stary Sacz in Poland.