Label: BONGIOVANNI 10012
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VOCAL WORKS: MESSA A TRE VOCI; SALVE MARIA; TANTUM ERGO I & II. Maria Luisa Fasolino; Iorio Zennaro; Luigig Petroni; Roberto Abbondanza; Massimo Mondelli; Grande Accademia Vocale & Strumentale/ Gian Rosario Presutti.

Label: BONGIOVANNI 2065/6
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LA VESTALE, Lyric Tragedy in 3 Acts. Constantin Cepreaga; Ratomir Kliskic; Giancarlo Boldrini; Filka Dimitrova; Dunja Vejzovic; Paola Romano; Gianfranco Cecchele; Franco Sioli; Orchestra e Coro del Teatro Nazionale Croato di Spalato/ Vjekoslav Sutej. (2 CDs)

Label: BONGIOVANNI 2315
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ALESSANDRO SCARLATTI: Filandra E Selvino; DOMENICO ZIPOLI: Dell’Offese A Vendicarmi, Cantata per baritono e basso continuo - Vincenzo Sanso, tenor; Carmelo Corrado Caruso, baritone; Strumentisti della Scuola "G. Verdi" di prato/Fausto Nardi

Label: BONGIOVANNI 5553
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FLUTE CONCERTOS: PETRUCCI (FLUTE)

Label: BONGIOVANNI 5559
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CONCERTI: KAUNAS C.O.

Label: BONGIOVANNI 5561
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FLUTE & BASS CONTINUO SONATAS: MERCELLI (FLUTE), ETC.

Label: BONGIOVANNI 5565
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20TH CENTURY BASSOON: MONGUZZI(FAGOTTE);BROLIO(PIANO)

Label: BONGIOVANNI 5634
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NICCOLO PICCINI: Il Finto Turco; Li Napoletani in America; GIOVANNI PAISIELLO: L’Arabo Cortese; La Zelmira: “O Sia La Marina Del Granatello; La Dardanè; Il Tamburo; PASQUALE ANFOSSI: L’Incognta Perseguitata; Zenobia in Palmira; ANDREA LUCHESI: L’Inganno Scoperto, Overo Il Conte Caramella; DOMENICO CIMAROSA: I Finti Nobili

Orchestra Sinfonica Abruzzese/Francesco Quattrocchi
Andrea Coen, harpsichord
This recording is dedicated to Italian orchestral music composed by contemporaries of Mozart, in particular to the sinfonie of the “musical comedies” or “comic operas” of the years between 1760 and 1780, a period in which Italian comic opera was the favorite “divertimento” of European courts. Usually performers and concert programs disregard these sinfonie, concentrating on the operas that follow, but these overtures should be regarded as important elements, introducing all the numerous typologies incorporated into Italian comic opera of that time. For a representative selection, we have chosen several of the most fashionable themes in vogue during those years. The first part of the recording illustrates the popular Oriental theme, whether real or imaginary, presented on stages in Naples. The second presents an ideal bridge between the two most important poles of Italian opera during the 1700s, Naples and Venice.