ARS PRODUKTION
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Label: ARS PROD. CD 38515 Our Price: $19.00 Quantity in Basket: none ARTISTS: Ensemble Consolazione, Karel Falter, transverse flute – Jan Tulacek, guitar |
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Label: ARS PRODUKTION 38479 Our Price: $24.25 Quantity in Basket: none Frühlingslied, Op. 34 no. 3; Das erste Veilchen, Op. 19 no 2; Frühlingsglaube, Op. 9 no 8; Lied ohne Worte, Op. 19 no 4; Seemans Scheidlied; Neue Liebe, Op. no 4; Auf Flügeln des Gesanges, Op. 34; Hexenlied ‘Andres Maienlied’, Op. 8 no 8; Wanderlied, Op. 57 no 6;Venetianisches Gondellied, Op 19b no 6; Frühlingslied, Op. 19 no 1; Lied ohne Worte, Op. 38 no 2; Frühlingslied, Op. 47 no 3; Venetianisches Gondellied, Op. 57 no 5; Nachtlied, Op. 71 no 6; Lied ohne Worte, Op. 53 no 2; Der Mond, Op. 86 no 5; Reiselied, Op. 19 no 5; Minnelied, Op. 34 no 1;Der Mond, Op. 86 no 5; Reiselied, Op. 19 no 6; Lied ohne Worte, Op. 38 no 3; Schilflied, Op. 71 no 4; Auf der Wanderschaft, Op. 71 no 5; Lied ohne Worte, Op. 67 no 5; Reiselied, Op. 34 no 6; Wartend, Op. 9 no 3; Schlafose Augen Leuchte As a composer of Lieder, Felix Mendelssohn has generally been judged not to rank with leading exponents of the genre such as Franz Schubert, Robert Schumann or Hugo Wolf. Unlike these composers, Mendelssohn left no sizeable, overarching song cycles, nevertheless his Lieder have been unjustifiably neglected. He composed songs throughout his career, and produced many exquisitely crafted, subtly turned examples. Mendelssohn’s song-writing art is primarily one of nuance and gesture, not of bold dramatic effects. The tenor Thomas Michael Allen has established a reputation for his vivid representations of a wide range of operatic roles. His repertoire includes operas by Monteverdi and haute contre roles of the French baroque, as well as leading roles in the operas of Mozart and recent works of composers such as Hans Werner Henze and Philip Glass. |
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Label: ARS PRODUKTION 38490 Our Price: $19.00 Quantity in Basket: none GODFREY FINGER (1660-1730): SONATA A MAJOR AUGUSTO KUHNEL (1645-1700): SUITE XIII A MINOR GEORG MUFFAT (1653-1704): TOCCATA SEPTIMA JOHAN SCHENK (1660-1712): SONATA IN X C MAJOR CONRAD HOFFLER (1647-1705): SONATEA V D MINOR DIETRICH BUXTEHUDE: SONATA D MAJOR, BUXWV268 ARTISTS: Focus Baroque: Holger Faust-Peters, Viol-Iren Lill, Harpsichord Five pieces for viola da gamba and basso continuo, a toccata for solo harpsichord, all penned by German composers or ones who spent a large part of their life in German-speaking areas, yet with stylistic diversity that is surprising. A study of this music seems almost like a tour through European musical styles, particularly Italian and French. |
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Label: ARS PRODUKTION 38492 Our Price: $19.00 Quantity in Basket: none TRIO POUR VIOLON, ALTO ET VIOLONCELLO (1999) BALLADE POUR VIOLON, CELLO ET VIOLONCELLO (2000) 3ME TRIO POUR VOLON, ALTO ET VIOLONCELLE (2007) No string trio has premiered as many new compositions, in over 30 years the trio has won many awards, including the German Record Prize and appeared at the most distinguished international festivals and master classes all over the world |
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Label: ARS PRODUKTION 38707 Our Price: $19.00 Quantity in Basket: none Fünf Lieder nach Gedichten von Mathilde Wesendonck Symphonieorchester des Bayerischen Rundfunks/Leopold Ludwig Recording: June 5 & 9, 1955 With Herta Töpper, mezzo Symphonieorchester des Bayerischen Rundfunks/Hermann Weigert Recording: June 1954 With Wolfgang Windgassen, tenor Symphonieorchester des Bayerischen Rundfunks/Hermann Weigert Recording: June 3, 1954 Symphonieorchester des Bayerischen Rundfunks/Hermann Weigert Recording: June 2, 1954 Astrid Varnay made her sensational debut at the Metropolitan Opera on December 6, 1941 at a broadcast performance singing Sieglinde in Wagner's Die Walküre, substituting for the indisposed Lotte Lehmann with almost no rehearsal. This was her first appearance in a leading role, and it was a triumph. Six days later she replaced the ailing Helen Traubel as Brünhilde in the same opera. In 1951 Varnay made her debut at Bayreuth after Flagstad, who had declined the invitation to Bayreuth, recommended that Wieland Wagner engage Varnay. She sang at Bayreuth for the next seventeen years, and appeared regularly at the Metropolitan until 1956. On this CD, several of Astrid Varnay’s classic Munich Wagner recordings from the mid 50s are collected together. The impressive interpretation of the Wesendonck Lieder at the same time forms a covert reminder that the singer could occasionally be heard in the concert hall as well. |
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Label: ARS PRODUKTION 38711 Our Price: $19.00 Quantity in Basket: none Arias and Scenes from: Mozart: Die Zäuberflöte; Le nozze di figaro; Così fan tutte Verdi: Othello Weber: Der Freischütz Humperdinck: Hänsel und Gretel R. Strauss: Der Rosenkavalier Brahms: Ein deutsches Requiem 1953-1958 with Erna Berger, Elisabeth Schwarzkopf, Anny Felbermayer Berliner Philharmoniker, Wilhelm Schüchter – Berliner Symphoniker, Josef Keilberth – Philharmonia Orchestra London – Herbert von Karajan, Rudolf Kempe The “Legenden des Gesanges” series strives to present the greatest voices of the 20th Century. It brings together the most outstanding interpretations from the finest hours of classical vocal music. This unique CD is remastered form the best rerecordings available and is supplemented with previously inaccesible documentary material. This eleventh volume features the legendary lyric soprano, Elisabeth Grümmer. Elisabeth Grümmer’s exquisite voice and admirable dramastic gifts made her an exemplary interpreter of the music of Mozart and Richard Strauss. |
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Label: ARS PRODUKTION 38712 Our Price: $19.00 Quantity in Basket: none HUGO WOLF (1860-1903): Italienischen Liederbuch (excerpts) WOLFGANG AMADEUS MOZART (1756-1791): Non temer, amato bene, K. 505;Il re pastore, K. 290: L’amerò, sarò costante GEORG FRIEDRICH HÄNDEL (1685-1759): Laudate pueri, HWV 237 Irmgard Seefried, soprano; Erik Werba, piano; Wolfgang Schneiderhan, violin; Vienna Symphony Orchestra, Ferdinand Leitner, conductor |
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