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ACCENT PLUS
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Label: ACCENT PLUS 10001
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GERMAN LUTE MUSIC OF THE 18TH CENTURY
JOHANN SEBASTIAN BACH (1685 – 1750): Adagio (BWV 1001); Fuge (BWV 1000); Suite in C minor
SYLVIUS LEOPOLD WEISS (1686 – 1750): Suite in D minor; Tombeau sur la mort de Mr. Cajetan, Baron d’Hartig
  • Konrad Junghänel, lute (Nico van der Waals, 1976)
    Konrad Junghänel is one of today’s leading international lutenists and is particularly admired for his outstanding assurance of style and technique. His reputation is due to his extraordinary virtuosity coupled with his perfect stylistic mastery of the lute repertoire.
    Konrad Junghänel's repertoire covers the entire literature for lute written in the 16th, 17th and 18th centuries, and he is regarded as one of today’s best interpreters of the lute works of J.S. Bach and Sylvius Leopold Weiss. His recordings of the solo lute music of Weiss was awarded the Preis der Debutschen Schallplattenkritik in 1985.




  • Label: ACCENT PLUS 10002
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    Tis nature's voice; Musick for a while; Retir'd from any mortal's sight; Since from my dear astreas's sight; Pious Celinda goes to prayers; Incassum Lesbia; Ah! cruel nymph; The fatal hour comes on a pace; As amoret and Thirsis lay; Sweeter than roses; I love'd fair celia; Young Thirsis' Fate
  • René Jacobs, countertenor; Wieland Kuijken, viola da gamba; Konrad Junghänel, theorbo




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    Label: ACCENT PLUS 10003
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    Fantasia I A major; Fantasia II A minor; Fantasia II B minor; Fantasia IV B major; Fantasia V C major; Fantasia VI D minor; Fantasia VII D major; Fantasia VIII E minor; Fantasia IX E major; Fantasia X F sharp minor; Fantasia XI G major; Fantasia XII G minor
  • Barthold Kuijken, transverse flute (G.A. Rottenburgh ca. 1740)




  • Label: ACCENT PLUS 10006
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    MUSICA DA CAMERA
    GEORG PHILIPP TELEMANN (1681-1767):
    Triosonata in G minor for oboe, violin and b.c. TWV 42:g5
    GEORG FRIEDRICH HANDEL (1685-1759): Concerto a quattro in D minor for transverse flute, violin, violoncello and b.c. HWV 381
    BALDASSAE GALUPPI (1706-1785): Sonata in G major for transverse flute, oboe and b.c.
    JOHANN GOTTLIEB JANITSCH (1708-1763): Quartet in F major for transverse flute, violin, oboe, violoncello and b.c.
    JOHANN CHRISTIAN BACH (1735-1782): Quintet D major for transverse flute, oboe, violin, violoncello and Harpsichord, Op. 11, 6
  • Parnassus Ensemble:
  • Barthold Kuijken, transverse flute; Janneke van der Meer, violin; Paul Dombrecht, oboe; Richte van der Meer, violoncello; Johan Huys, harpsichord




  • Label: ACCENT PLUS 10010
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    Suite in C minor; Prelude and Fuga in C major; Suite in G minor
  • Konrad Junghanel, lute




  • Label: ACCENT PLUS 10011
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    Sonata in B flat major, Op. 24 No. 2; Sonata in F sharp minor, Op. 25 No. 5; Sonata in G major, Op. 37 No. 2; Sonata in F minor, Op. 13 No. 6
  • Jos van Immerseel, pianoforte (Michael Rosenberger, Vienna ca. 1795)




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    Label: ACCENT PLUS 10012
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    DIETRICH BUXTEHUDE: Aria "Muss der Tod denn nun doch trennen" Elegy upon the death of his father; Cantata "Jubilate Domine"; JOHANN CHRISTOPH BACH: Aria "Ach, dass ich Wassers g'nug hätte"; GEORG PHILIPP TELEMANN: Cantata "Ach Herr, strafe mich nicht"; Cantata "Ihr Völker, hört"
  • René Jacobs, counter-tenor
    The Kuijken Consort: Sigiswald Kuijken & Janneke Van Der Meer, violin; Wieland Kuijken, Anneke Pols, Magriet Tindemans, Adelheid Glatt, viola da gamba; Robert Kohnen, organ; Maurice Aerts, violone; Konrad Junghändel, theorbo
    The Oarnassus Ensemble: Barthold Kuijken, transverse flute; Richte Van Der Meer, violoncello; Johann Huys, harpsichord




  • Label: ACCENT PLUS 10017
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    ARIETTE E CAVATINE
    GAETANO DONIZETTI (1797 – 1848): Voga, voga, il vento tace “Il Barcaiolo” – Barcarola dedicate a Madame Coussy, parole di L. Tarantini; Era l’ora che i cieli lente, lente “Il pescatore”, Testo di Schiller, dedicate al Precipe Belogioiso; Ah! Rammenta, o bella Irene – Cavatina composta espressamente per Mme De Sévigny
    VINCENZO BELLINI (1801 – 1835): Arietta “Dolente immagine di fille mia”; Arietta “Quando verrà quell di”; Arietta “Vaga luna, che inargenti”
    FRANZ SCHUBERT (1797 – 1828): Da voi, cari lumi “L’incanto deglie occhi”, Pietro Metastasio; Guard ache Bianca luna
    GIOACCHINO ROSSINI (1792 – 1868): Tu che accendi questo core – di tanti palpiti – Scena and Cavatina from”Tancredit” (1813)
    LUDWIG VAN BEETHOVEN (1770 – 1827): Beato quei che fido amor “The Joy of friendship”; In questa tomba oscura; T’intendo, sì, mio cor “Love’s lament”
  • Rene Jacobs, countertenor
  • Jos van Immerseel, pianoforte (Traugott Berndt, Breslau ca. 1837 – 1840)
    The Belgian counter-tenor and conductor, René Jacobs, made his first contact with music through singing. As a child he was a chorister at the Cathedral of Gent. While he studies classical philology at the university of Gent he also continues singing in Brussels and then in La Haye. He met the Kuijken brothers, Gustav Leonhardt and Alfred Deller who encouraged him to specialize as a counter tenor. Within only a few years he was considered to be one of the best counter-tenors of his time and an excellent career was taking him across Europe, to the USA and to the Far East.
    Full of enthusiasm for Baroque music and its tremendous repertoire which he is rediscovering, at the height of his singing career René Jacobs does not hesitate to enter the orchestra pit in order to conduct the forgotten operas, to edit the orchestra scores.




  • Label: ACCENT PLUS 10018
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    Fantasia C minor KV 475; Sonata C minor KV 457; Fantasia D minor KV 397; Twelve Variations on "Ah, vous dirai-je, Maman" C major; Rondo A minor KV 511
  • Jos van Immerseel, fortepiano (Claude Kelecom, 1978 after J.A. Stein, Augsburg 1788)




  • Label: ACCENT PLUS 10019
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    GERMAN BAROQUE CHAMBER MUSIC
    JOHANN SEBASTIAN BACH (1685 - 1750): Sonata G major for transverse flute, violin and b.c. (arr. after Sonata E flat major for Organ BWV 525)
    GEORG PHILIPP TELEMANN (1681 – 1767): Suite VI for transverse flute, violin and b.c.; Quartet G major for transverse flute, two viole da gambe and b.c. TWV 43: G 12
    CARL PHILIPP EMMANUEL BACH (1714 - 1788): Triosonata A major for transverse flute, violin and b.c. Wq 146 (H 570)
  • Barthold Kuijken, transverse flute; Sigiswald Kuijken, violin and viola da gamba;
  • Wieland Kuijken, viola da gamba; Robert Kohnen, harpsichord
    CD-Reviews: "...this recital might be considered an essential component of anyone's library of recorded baroque and rococo music." - Gramophone




  • Label: ACCENT PLUS 10030
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    MUSIC BY ROBERT SCHUMANN; J.W. KALLIWODA & J.P. PIXIS

    ARTISTS: Paul Dombrecht Oboe; Jos Van Immerseel, Fortepiano




    Label: ACCENT PLUS 10031
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    LES DÉLICES DE LA SOLITUDE – SONATAS FOR BASSOON AND CONTINUO
    MICHAEL CORRETTE (1693 - 1751):
    "Sonates pour le Basson avec la Basse Continue - Les Délices de la Solitude, Oeuvre XX (Paris 1766): Sonata V; Sonata I; Sonata III
    JOSEPH BODIN DE BOISMORTIER (ca. 1691 - 1755):
    Sonata III *; Sonata I **; Sonata I *; Sonata II*
    * Cinq sonates pour le basson avec la Basse continue, Ouevre XXV (Paris 1729)
    ** Six sonates pour deux Basses, Ouevre XL (Paris 1732)
  • Danny Bond, bassoon; Richte van der Meer, violoncello
  • Robert Kohnen, harpsichord
    CD-Reviews: "The baroque bassoon is as warm and rich an instrument as you can imagine, especially as played here by Danny Bond." - The Absolute Sound, USA




  • Label: ACCENT PLUS 10032
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    LUDWIG VAN BEETHOVEN (1770 – 1827)
    Sonata in C sharp minor, Op.27 No.2 "Sonata quasi una Fantasia"
    Six Bagatelles, Op.126; Grande Sonate Pathétique, Op.13
    Andante favori, WoO 57
  • Jos van Immerseel, pianoforte (Conrad Graf, 1824)




  • Label: ACCENT PLUS 10033
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    Sonata III C major; Sonata I D Major; Sonata XII; "Follia"; Sonata VI A major; Sonata XI E Major
  • Sigiswald Kuijken, violin; Wieland Kuijken, violoncello; Robert Kohnen, harpsichord




  • Label: ACCENT PLUS 10034
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    Symphony No.7 Op.92 in the Composer's version for nine part Harmonie (publ. 1816); Fidelio - Overture Op.72b (arranged by Wenzel Sedlak, publ. 1815)
  • Octophorus: Paul Dombrecht & Marcel Ponseele, oboe; Hans Rudolf Stalder & Elmar Schmid, clarinets; Piet Dombrecht & Claude Maury, horn; Danny Bond & Donna Agrell, bassoon; Claude Wassmer, contrabassoon





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